Nathan Fielder and Lance Oppenheim's Elizabeth Holmes documentary is real, and it also shows you the moments it had to rebuild.

Yes, You Can See Everything is a documentary. Most of it is real footage of Elizabeth Holmes and Billy Evans at home before she reported to prison. Moments that were never recorded are reconstructed, with Nathan Fielder recounting them from memory and Amanda Seyfried performing Holmes.
The short version: yes, You Can See Everything is a documentary. Most of it is real footage of Elizabeth Holmes and her partner, Billy Evans, at home in the weeks before she reported to prison. Moments that were never recorded are reconstructed on screen, and the film tells you when it is doing it: Fielder recounts them from memory, and Amanda Seyfried, who played Holmes in Hulu's The Dropout, performs Holmes.
Fielder and Oppenheim join Holmes thirty-four days before she reports to prison and follow her domestic life with Evans and their children. The conversations at the kitchen table, the arguments over what she meant by her words, and Evans's attempts to control what gets discussed are filmed as they happened.

Three kinds of moment are rebuilt rather than recorded. Fielder's account of his first meeting with the couple. A meeting, before Holmes signed a release, between Evans, the filmmakers and two executives from A24. And Fielder's visit to Holmes in prison, of which there is no recording. In each, Fielder tells the story from memory, and Seyfried plays Holmes while the two of them test whether his memory holds up. The film is open that these scenes depend on his account.

The film is open that these scenes depend on his account.
It is not scripted, but it often feels like a scripted film. The storytelling is linear and the pacing is precise, and Fielder's long pauses, familiar from Nathan for You and The Rehearsal, can make a real conversation feel staged. That uncertainty is part of what the film is about.

In places. An argument about what a word means turns into Abbott and Costello's Who's on First?, and Fielder's deadpan produces real laughs. It is not a comedy. The register is closer to a psychological thriller about how much you can learn about a person by watching them.
You Can See Everything is rated R for language and some graphic nudity. It runs about 174 minutes and opened in United States theaters from A24 on October 16, 2026. TV Intelligentsia scored it 183 out of 200, Masterclass, on a verified receipt.
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Yes. Most of it is real footage of Elizabeth Holmes and Billy Evans at home. Moments that were never recorded are reconstructed, with Nathan Fielder recounting them and Amanda Seyfried performing Holmes.
No, but it often feels like a scripted film, and the film is partly about that uncertainty.
In places, but it is not a comedy. Its register is closer to a psychological thriller.
Film: You Can See Everything (2026), directed by Nathan Fielder and Lance Oppenheim. A24. With Elizabeth Holmes, Billy Evans and Amanda Seyfried.