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You Can See Everything

Thirty-four days before prison, Elizabeth Holmes lets a camera see everything.

Nathan Fielder and Lance Oppenheim's documentary, scored by both founders from a full theatrical viewing, with all thirteen sub-metric judgments recorded.

183/200MasterclassA24. 174 minutes. In theaters now.
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Most read this week The Odyssey parents guide Rated R, and the violence is the decision. What is actually in it, category by category, and who should wait. Read the guide
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Editorial cover for The Costumes Narrative in Marie Antoinette on TV Intelligentsia
Film

The Costumes Narrative in Marie Antoinette

A design essay on Marie Antoinette: how Milena Canonero's Oscar-winning costumes tell the story Sofia Coppola's dialogue does not, from the border tent to the Petit Trianon.

Editorial cover for Is You Can See Everything Real? What Is Footage and What Is Reconstructed on TV Intelligentsia
Film

Is You Can See Everything Real? What Is Footage and What Is Reconstructed

Yes, it is a documentary. What in Nathan Fielder's Elizabeth Holmes film is real footage, what is reconstructed with Amanda Seyfried, and whether it is scripted or funny.

Editorial cover for Is Fjord Based on a True Story? on TV Intelligentsia
Film

Is Fjord Based on a True Story?

Fjord is inspired by the 2015 Bodnariu case in Norway, but Cristian Mungiu says it is not a reenactment. What is real, what he invented, and what the film leaves open.

Editorial cover for What to Know Before The Hunger Games on TV Intelligentsia
Film

What to Know Before The Hunger Games

Sunrise on the Reaping is set 24 years before The Hunger Games, at Haymitch's Games. The timeline, the characters you know, and whether to rewatch first.

Editorial cover for You Can See Everything on TV Intelligentsia
Film

You Can See Everything

Elizabeth Holmes, Nathan Fielder, and why closeness can feel like knowing a person.

Editorial cover for Fjord on TV Intelligentsia
Film

Fjord

Cristian Mungiu's Palme d'Or winner, and the children every argument is made for.

Editorial cover for Dune on TV Intelligentsia
Film

Dune

How Dune: Part Two ends, where Paul, Chani and Jessica stand, and the seventeen-year jump before Dune: Part Three opens December 18.

Editorial cover for Dune on TV Intelligentsia
Film

Dune

Dune: Part Three is partly shot on IMAX film, with 71 minutes made for the taller frame. What each screen shows and how to find real IMAX 70mm before December 18.

Editorial cover for What to Watch Before Avengers on TV Intelligentsia
Film

What to Watch Before Avengers

Marvel's fifteen-title Countdown to Avengers: Doomsday list, what it sets up, and why the film opens December 18 on every premium screen except IMAX.

Editorial cover for You Can See Everything on TV Intelligentsia
Film

You Can See Everything

Elizabeth Holmes lets a camera see everything, and the filmmaker starts to look like his subject. Alex Gigler on You Can See Everything.

Editorial cover for Primetime on TV Intelligentsia
Film

Primetime

Chris Hansen, To Catch a Predator, and a hunter who needs the monster he hunts. Alex Gigler on Primetime.

Editorial cover for Resident Evil on TV Intelligentsia
Film

Resident Evil

A small lie about snow chains, a world that never stops to think, and a film too fast to think inside. Alex Gigler on Resident Evil.

Editorial cover for The Slumber Party Massacre Knows You Are Watching on TV Intelligentsia
Film

The Slumber Party Massacre Knows You Are Watching

A design essay on Amy Holden Jones's 1982 slasher: the killer dressed as the Marlboro Man, the girls dressed as athletes, and a film that keeps scrambling who is supposed to be looking.

Editorial cover for Persona on TV Intelligentsia
Film

Persona

A mute actress, a nurse who cannot stop talking, and the self that forms between them. Alex Gigler reads Bergman's Persona.

Editorial cover for Once Upon a Time in Hollywood on TV Intelligentsia
Film

Once Upon a Time in Hollywood

Tarantino loves the past too much to mourn it, so he burns the future that replaced it. A psychoanalytic reading by Alex Gigler.

Editorial cover for Frances Ha on TV Intelligentsia
Film

Frances Ha

Sophie commits the betrayal of becoming real, and Frances has to survive separateness. Alex Gigler on the psychology of becoming a person.

Editorial cover for The Wild Robot on TV Intelligentsia
Kids

The Wild Robot

The Wild Robot A robot sets out to raise a gosling. A fox, a flock, and a whole island get caught up in the work.

Editorial cover for Moana on TV Intelligentsia
Kids

Moana

Moana Beyond the reef, a girl and a demigod discover how much becoming yourself has to do with other people.

Editorial cover for Little Amélie on TV Intelligentsia
Kids

Little Amélie

Little Amélie or the Character of Rain In a grandmother’s gift and a young woman’s devotion, Amélie finds reasons to love a world she is just beginning to understand.

Editorial cover for The Invite on TV Intelligentsia
Film

The Invite

The Invite Olivia Wilde's funny, unnerving chamber piece turns one apartment into a study of desire, resentment, and what it takes to let another person surprise you again.

Editorial cover for The Inhibitor on TV Intelligentsia
Film

The Inhibitor

Spider-Man: Brand New Day review: Peter builds an inhibitor to suppress his own biology, and the film makes suppression the plot.

Editorial cover for The Parents Who Come Back on TV Intelligentsia
Kids

The Parents Who Come Back

The show is watching the parents too. On play, visible repair, and the security that lets a child try again.

Editorial cover for The Odyssey on TV Intelligentsia
Film

The Odyssey

The Trojan Horse weaponized trust, and the damage runs through monsters, marriage, kingship, and memory. Scored after two theatrical viewings.

Editorial cover for Toy Story 5 on TV Intelligentsia
Film

Toy Story 5

Screen time, friendship, and the difference between being reachable and being known.

Editorial cover for Michael on TV Intelligentsia
Film

Michael

Antoine Fuqua's Michael Jackson biopic is a repressed film about a repressed man: the music is extraordinary, and the truth was edited out.

Editorial cover for The Lion King on TV Intelligentsia
Kids

The Lion King

Our inaugural TVI Kids Essential. One of the most psychologically precise films about grief and recovery ever made.

Editorial cover for The Book of Mormon on TV Intelligentsia
TV Series

The Book of Mormon

The musical that lies about God to tell the truth about people.

Editorial cover for Avatar: The Last Airbender on TV Intelligentsia
Kids

Avatar: The Last Airbender

A children's series running a four-element developmental architecture across sixty-one episodes.

As seen in Yahoo Lifestyle · Parenting Patch TVI Essential badge TVI Essential · 128 in the founding canon →
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What a TVI score measures

Every title is evaluated across three weighted dimensions, then calculated with one published formula. The result describes the intellectual demand of the work, not the intelligence of its audience.

About the scale: TVI Score is a proprietary 0 to 200 media rating, not a psychometric IQ test. A score of 160 or higher means exceptional cognitive and educational substance, delivered with craft that sustains close attention.

Read the full methodology
[IQ]TVI Methodology
v1.3.1
IQ = round((C × 0.40 + E × 0.35 + Q × 0.25 ) × 4)
C
Cognitive Stimulation
40%
E
Educational Value
35%
Q
Craft & Quality
25%
Numbing
<70
Passive
70+
Competent
100+
Stimulating
130+
Masterclass
160+
tvintelligentsia.com/methodology
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