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TVI Press | Film Intelligence · Field Deployment 001 · Nashville

Nashville Film Festival 2026: what to watch, and why.

The 57th Nashville Film Festival runs September 24–30, 2026. TV Intelligentsia is covering it as accredited press. This page is built to answer a festivalgoer's real question, what is worth my evening, before it archives anything we wrote. It updates as we screen.

57th Nashville Film Festival, September 24 to 30, 2026

Festival art courtesy of the Nashville Film Festival.

TVI Press is the film and screen-culture editorial desk of TV Intelligentsia, combining field reporting, cultural analysis, and methodology-backed judgment. Schedule and lineup details update as the festival confirms them; reconfirm times and buy tickets at nashvillefilmfestival.org.

The approach

Coverage built for a decision

A guide, not a feed

Each title we screen gets a verdict here within 48 hours: who it fits, what it asks, whether it earns your evening.

Judgment before consensus

First-pass reviews are recorded before outside reviews are read, and dated. What we thought in the room stays on the record.

How They Knew

Interviews planned
One question, asked carefully: before anyone confirmed it, how did you know this material, person, or choice was right?

The slate

Eight objects we are investigating

A research slate, not a promise of eight reviews. Statuses move from On our watchlist to Previewed (facts and screening details confirmed) to Screened (first impression on the record, dated) to Reviewed. Nothing on this page is a verdict until it says so. Screening details are from the festival’s ticketing listings as of August 22; reconfirm before you go.

FramptonPreviewed

Frampton

Opening night. Thu Sept 24, 6:00 PM (with Peter Frampton, sold out) and an added 6:15 PM screening with a Q&A from director Rob Arthur, Regal Green Hills. 104 min. Southeast premiere.

When does a music film stop documenting achievement and reveal the person who survived it?

Coverage: Jordan Robinson, in the room.

The Wingfeather Saga, Season 4, episodes 1 and 2Previewed

The Wingfeather Saga, Season 4, episodes 1 and 2

Sat Sept 26, 11:00 AM, Hooky Entertainment, with Q&A. Dir. Ron Smith and Bill Breneisen, 70 min. Festival screening; the season premiered Sept 12.

Family animation with serial ambition, and the Nashville animation ecosystem behind it.

Coverage: Cordelia Witty by screener; Dylan O'Byrne in the room.

The LorrainePreviewed

The Lorraine

Sat Sept 26, 2:30 PM, screening and conversation with Sam Pollard and Alvin Hall through 5:00 PM. Listed at the National Museum of African American Music on the ticketing schedule; confirm the venue with the festival. 84 min.

Sam Pollard on recovering the life of a place after one historic event swallowed every other story attached to it.

Coverage: Dylan O'Byrne in the room; feature by Jordan Robinson.

Songs from the CirclePreviewed

Songs from the Circle

Sat Sept 26, 5:30 PM, Regal Green Hills, with Q&A. Dir. David Freid, 77 min. North American premiere.

One hundred years after its founding, the Grand Ole Opry crosses the Atlantic for the first time. A working musician's read: when is the performance the story, and when is the story behind it?

Coverage: Dylan O'Byrne, in the room.

The IncomerPreviewed

The Incomer

Sat Sept 26, 7:30 PM, Regal Green Hills. Dir. Louis Paxton, 97 min. Tennessee premiere.

Two siblings on a remote Scottish isle, and the council official who arrives to evacuate them. A story about who gets to decide a place is finished.

Coverage: by screener, where granted.

With Tapes and Toasts in the Car, from the Animated Shorts programPreviewed

Animated Shorts

Sun Sept 27, 11:00 AM, Regal Green Hills. Eight films: 9 Million Colors, Apart, A Black Rail's Tale, Saba, sexability, The Sky Was Candy, Trading Cards, With Tapes and Toasts in the Car.

Compressed storytelling: image, rhythm, and what a few minutes can carry. Editorial coverage only; shorts are outside our scoring rubric.

Coverage: by screener or the virtual window, where available.

A Talent For MurderPreviewed

A Talent For Murder

Sun Sept 27, 4:30 PM, Regal Green Hills. Dir. Anton Corbijn, 106 min. Helen Mirren as Patricia Highsmith, Alden Ehrenreich, Olivia Cooke.

A publisher's emissary is sent to Switzerland to persuade Highsmith to write one last Ripley. What a thriller about a thriller writer can say about authorship.

Coverage: by screener, where granted.

Tender Loving CarePreviewed

Tender Loving Care

Wed Sept 30, 3:00 PM, Belcourt Theatre. Dir. Mike Leigh, 107 min, UK. Tennessee premiere.

Leigh's method, actors building people before a script exists, applied to the contemporary world. The festival's last-day sleeper.

Coverage: by screener, where granted.

Film images courtesy of the Nashville Film Festival and the films' producers; the Animated Shorts image is from With Tapes and Toasts in the Car (2025). Used for festival coverage.

Choose by what you want back

Four ways into the festival

Take me into Nashville's story

Songs from the Circle; The Lorraine; the Made in TN conference programming

Show me what music can carry

Frampton; Songs from the Circle

A family or animation pick

The Wingfeather Saga; the Animated Shorts program

Something before consensus arrives

The Incomer; A Talent For Murder; Tender Loving Care

During the festival

Tonight, decided

On four festival evenings, this page will carry one recommendation and one deliberate alternative: who it fits, what it asks. First card arrives Thursday, September 24.

Who is in the room

The coverage team

Screenings and interviews

Jordan Robinson, editor-in-chief. Features, the How They Knew interviews, and the festival guide. Opening days in person; the rest of the slate by screener and the virtual window.

Family, animation, education

Cordelia Witty, EdS., NCSP, children's media editor. The Wingfeather Saga premiere, the animated shorts program, and the Animation City conference thread.

Creators Conference, film and music

Dylan O'Byrne, contributing producer and working Nashville musician. The Monday conference day, the music documentaries, and the festival's second weekend in person.

Credentialed press, three lanes. Screener access is requested title by title with the coverage attached; we say on each card whether we saw a film in the room or on a screener.

Record

Update log

Standards

How this coverage works

Independent judgment

Scores are not for sale. Access, screeners, and interviews never purchase a conclusion, and no title receives a TVI score because we attended a screening. Scoring follows the published methodology only.

Visible provenance

Every judgment carries a byline. Interviews disclose recording context and edit treatment; a paraphrase is never dressed as an exact quotation.

Corrections stay public

When a fact changes, the record changes visibly. Our corrections log is permanent and public.

Follow the field coverage

Occasional dispatches when TVI is in the room: festival guides, interviews, and what we learned. No volume, no noise.