The 57th Nashville Film Festival runs September 24–30, 2026. TV Intelligentsia is covering it as accredited press. This page is built to answer a festivalgoer's real question, what is worth my evening, before it archives anything we wrote. It updates as we screen.
Festival art courtesy of the Nashville Film Festival.
TVI Press is the film and screen-culture editorial desk of TV Intelligentsia, combining field reporting, cultural analysis, and methodology-backed judgment. Schedule and lineup details update as the festival confirms them; reconfirm times and buy tickets at nashvillefilmfestival.org.
Each title we screen gets a verdict here within 48 hours: who it fits, what it asks, whether it earns your evening.
First-pass reviews are recorded before outside reviews are read, and dated. What we thought in the room stays on the record.
Interviews planned
One question, asked carefully: before anyone confirmed it, how did you know this material, person, or choice was right?
A research slate, not a promise of eight reviews. Statuses move from On our watchlist to Previewed (facts and screening details confirmed) to Screened (first impression on the record, dated) to Reviewed. Nothing on this page is a verdict until it says so. Screening details are from the festival’s ticketing listings as of August 22; reconfirm before you go.
PreviewedOpening night. Thu Sept 24, 6:00 PM (with Peter Frampton, sold out) and an added 6:15 PM screening with a Q&A from director Rob Arthur, Regal Green Hills. 104 min. Southeast premiere.
When does a music film stop documenting achievement and reveal the person who survived it?
Coverage: Jordan Robinson, in the room.
PreviewedSat Sept 26, 11:00 AM, Hooky Entertainment, with Q&A. Dir. Ron Smith and Bill Breneisen, 70 min. Festival screening; the season premiered Sept 12.
Family animation with serial ambition, and the Nashville animation ecosystem behind it.
Coverage: Cordelia Witty by screener; Dylan O'Byrne in the room.
PreviewedSat Sept 26, 2:30 PM, screening and conversation with Sam Pollard and Alvin Hall through 5:00 PM. Listed at the National Museum of African American Music on the ticketing schedule; confirm the venue with the festival. 84 min.
Sam Pollard on recovering the life of a place after one historic event swallowed every other story attached to it.
Coverage: Dylan O'Byrne in the room; feature by Jordan Robinson.
PreviewedSat Sept 26, 5:30 PM, Regal Green Hills, with Q&A. Dir. David Freid, 77 min. North American premiere.
One hundred years after its founding, the Grand Ole Opry crosses the Atlantic for the first time. A working musician's read: when is the performance the story, and when is the story behind it?
Coverage: Dylan O'Byrne, in the room.
PreviewedSat Sept 26, 7:30 PM, Regal Green Hills. Dir. Louis Paxton, 97 min. Tennessee premiere.
Two siblings on a remote Scottish isle, and the council official who arrives to evacuate them. A story about who gets to decide a place is finished.
Coverage: by screener, where granted.
PreviewedSun Sept 27, 11:00 AM, Regal Green Hills. Eight films: 9 Million Colors, Apart, A Black Rail's Tale, Saba, sexability, The Sky Was Candy, Trading Cards, With Tapes and Toasts in the Car.
Compressed storytelling: image, rhythm, and what a few minutes can carry. Editorial coverage only; shorts are outside our scoring rubric.
Coverage: by screener or the virtual window, where available.
PreviewedSun Sept 27, 4:30 PM, Regal Green Hills. Dir. Anton Corbijn, 106 min. Helen Mirren as Patricia Highsmith, Alden Ehrenreich, Olivia Cooke.
A publisher's emissary is sent to Switzerland to persuade Highsmith to write one last Ripley. What a thriller about a thriller writer can say about authorship.
Coverage: by screener, where granted.
PreviewedWed Sept 30, 3:00 PM, Belcourt Theatre. Dir. Mike Leigh, 107 min, UK. Tennessee premiere.
Leigh's method, actors building people before a script exists, applied to the contemporary world. The festival's last-day sleeper.
Coverage: by screener, where granted.
Film images courtesy of the Nashville Film Festival and the films' producers; the Animated Shorts image is from With Tapes and Toasts in the Car (2025). Used for festival coverage.
Songs from the Circle; The Lorraine; the Made in TN conference programming
Frampton; Songs from the Circle
The Wingfeather Saga; the Animated Shorts program
The Incomer; A Talent For Murder; Tender Loving Care
On four festival evenings, this page will carry one recommendation and one deliberate alternative: who it fits, what it asks. First card arrives Thursday, September 24.
Jordan Robinson, editor-in-chief. Features, the How They Knew interviews, and the festival guide. Opening days in person; the rest of the slate by screener and the virtual window.
Cordelia Witty, EdS., NCSP, children's media editor. The Wingfeather Saga premiere, the animated shorts program, and the Animation City conference thread.
Dylan O'Byrne, contributing producer and working Nashville musician. The Monday conference day, the music documentaries, and the festival's second weekend in person.
Credentialed press, three lanes. Screener access is requested title by title with the coverage attached; we say on each card whether we saw a film in the room or on a screener.
Scores are not for sale. Access, screeners, and interviews never purchase a conclusion, and no title receives a TVI score because we attended a screening. Scoring follows the published methodology only.
Every judgment carries a byline. Interviews disclose recording context and edit treatment; a paraphrase is never dressed as an exact quotation.
When a fact changes, the record changes visibly. Our corrections log is permanent and public.
Occasional dispatches when TVI is in the room: festival guides, interviews, and what we learned. No volume, no noise.